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promotion of free licenses
We have a problem getting people to accept free licenses. One of the
issues is that, at least in some countries, conditions stating that the
authors allows any usage of his image for any duration are ruled illegal
by courts (should the author complain), as abusive clauses. The idea is
to protect authors from abuse by greedy publishers. I've even heard some
lawyer from a photographers' society explaining to me that free licenses
(including Creative Commons etc.) where thus illegal.

Lately, in a private email, Greg Maxwell made a remark that I had made
in other circumstances, that is

For example, surely the 'share alike' nature of copyleft contracts
prevents the contracts from being considered unconscionable. Such
licenses would be acceptable for our purposes.

Indeed, that's one point that we may argue: with "sharealike" licenses,
the authors do not cede all rights with no compensation or insurance;
they rather have strong guarantees that uses of their work will not
stray from their intent of distribution of free content.

That's one argument one may want to pursue when contacting sources.

Regards,
DM
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Re: promotion of free licenses [ In reply to ]
On Nov 21, 2006, at 10:19 AM, David Monniaux wrote:

> We have a problem getting people to accept free licenses. One of the
> issues is that, at least in some countries, conditions stating that
> the
> authors allows any usage of his image for any duration are ruled
> illegal
> by courts (should the author complain), as abusive clauses. The
> idea is
> to protect authors from abuse by greedy publishers. I've even heard
> some
> lawyer from a photographers' society explaining to me that free
> licenses
> (including Creative Commons etc.) where thus illegal.
>
> Lately, in a private email, Greg Maxwell made a remark that I had made
> in other circumstances, that is
>
> For example, surely the 'share alike' nature of copyleft contracts
> prevents the contracts from being considered unconscionable. Such
> licenses would be acceptable for our purposes.
>
> Indeed, that's one point that we may argue: with "sharealike"
> licenses,
> the authors do not cede all rights with no compensation or insurance;
> they rather have strong guarantees that uses of their work will not
> stray from their intent of distribution of free content.
>
> That's one argument one may want to pursue when contacting sources.

It might be helpful if it could be shown that the creator received
something in return for their "free" license. We could, for example,
offer to publish their work on a top 20 website, thus assuring wide
distribution of their work. This actually makes sense as it creates a
potential market for their other work, should they try to sell it.

Fred

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Re: promotion of free licenses [ In reply to ]
On 11/22/06, David Monniaux <David.Monniaux@free.fr> wrote:
> We have a problem getting people to accept free licenses. One of the
> issues is that, at least in some countries, conditions stating that the
> authors allows any usage of his image for any duration are ruled illegal
> by courts (should the author complain), as abusive clauses. The idea is
> to protect authors from abuse by greedy publishers. I've even heard some
> lawyer from a photographers' society explaining to me that free licenses
> (including Creative Commons etc.) where thus illegal.

Does anyone know of cases where this has actually happened? Also, does
this relate to any particular legislation? I've only ever heard of
this sort of thing in consumer protection or trade practices
legislation.

If there are such situations, I would imagine that they would be
concerning terms in contracts between the author of some kind of
material (such as a book) and their publisher. I don't see how they
could be a problem where a copyright holder themselves publishes the
material under a licence.

Remember also that we consider anyone who submits content to the
projects to be publishing it themselves, and we're just distributing
the material. If someone decides to publish material under a copyleft
licence, that's entirely their decision. The law isn't going to step
in and protect them from themselves.

> Lately, in a private email, Greg Maxwell made a remark that I had made
> in other circumstances, that is
>
> For example, surely the 'share alike' nature of copyleft contracts
> prevents the contracts from being considered unconscionable. Such
> licenses would be acceptable for our purposes.
>
> Indeed, that's one point that we may argue: with "sharealike" licenses,
> the authors do not cede all rights with no compensation or insurance;
> they rather have strong guarantees that uses of their work will not
> stray from their intent of distribution of free content.

Indeed. Unless a certain term is expressly invalidated by legislation,
I can't think that there would be any unconscionability (or whatever
element is required in whatever test is used) in the situation of
copyleft licencing to warrant the invalidation of a term.

Although again I would like to see some actual examples of where this
has happened, if there are any.

--
Stephen Bain
stephen.bain@gmail.com
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Re: promotion of free licenses [ In reply to ]
>
>
>Does anyone know of cases where this has actually happened? Also, does
>> this relate to any particular legislation? I've only ever heard of
>> this sort of thing in consumer protection or trade practices
>> legislation.
>
>

As a member of the board of Wikimedia France, I had a meeting with the
head and the legal counsel of some society of authors, whose name I
shall leave unstated (the problems are not specific to them).

Their legal counsel told me that their stance is that all legal
conditions stating that the author cedes all rights for an unbounded
duration are abusive and that they were ready to fight that in court if
necessary.

These people have a very different point of view from ours.
Publishers try to have them sign agreements in which they sell their
works for a fixed pity sum for any use whatsoever.

We may consider "free of rights" content to be a Good Thing (TM), but to
them this is a Bad Thing (TM). To them, "free of rights content" ("libre
de droits" in French) means, for instance, cheap CDs and DVDs in which
you have 1000s of photos and other pictures that you can use without
paying royalties, that is, in practice, this means loss of income to
them. By "loss of income", I don't mean "loss of a little income in
an ocean of $$$", but I mean making it difficult to make ends meet at
the end of the month.

For almost everybody on this list (I'm leaving out Brad and Danny, sorry
folks), Wikipedia is a hobby project that we contribute to in our free
time. This is not the case of these people. Their works are their
livelihood. They're in a bad position, they feel shafted by the economic
powers, so they naturally have a tendency to be wary of evolutions that
may make their situation worse. That's human. When I discussed "free of
rights" stuff with them, I felt like somebody trying to promote Sauron
of Mordor to hobbits. Not a comfortable position, believe me.

This is something I'd like to stress : in most of our dealings as
representatives of Wikimedia France, we haven't encountered people who
acted against our wishes out of spite, but rather people who have to
deal with pressures (from their hierarchy, from economic powers,
from the legal system, etc.) and respond in a fairly understandable way.

As Delphine explained, going into a head to head confrontation is
counter-productive; one must at least try to understand why they act in
this way, and they often have a fairly good rationale from their point
of view. (I'm not saying we should accomodate each and every request
from people we disagree with, but at least we should try to consider
that they're often acting sensibly from their point of view.)

Trying to push radical ideas in an "all or nothing" approach tends to
lead to a lose-lose situation. In order to get something out of people,
they have to listen to what you say (yay! I feel like
http://en.wikipedia.org/wiki/Jacques_de_la_Palice ).
If you start becoming confrontational, they start getting
confrontational too, and they stop listening.

Besides, I feel very uncomfortable promoting what we do as "sensible".
We have ultra-stringent requirements about "free" content, yet we allow
GFDL content (which all the quirks of the GFDL, which makes it unusable
for many applications), and then we explain that we allow "fair use"
content, a very vaguely defined legal exception. As we say in France,
before pointing out the straw in someone else's eye, beware of not
having an entire woodblock in one's own. Our licensing policy is
inconsistent too, and people will not take it kindly if we ask that they
alter theirs whereas we are incapable of sorting out ours.

An important point is that for the last 150 years, French copyright law
has been (at least in theory, practice is different, see below) centered
around the idea of an *author* making a *work of the mind* which is his
*property*. The author then authorizes *each use* of the work.

(In practice, authors cede rights to publishers, but the contracts are
then supposed to delineate the limits of these cessions of rights. They
also cede their rights to societies who collect rights on their behalf.)

Law delineates what can and cannot be done in publishing contracts (CPI
L132-1 to L132-17). It prohibits indiscriminate ceding of rights (CPI
L131-1, L131-3). Law imposes that the author should be remunerated in
proportion to the use of his work (CPI L131-4), with some exceptions.

In comparison to that, support for the possibility of free licenses
seems to hinge on CPI L122-7-1.

I don't have the case law out of my head; certainly, getting a
comprehensive file on French case law with respect to the protection of
authors would probably involve paying a lawyer to research it. But,
indeed, there *are* protections against ceding all rights for any use,
that's a fact, and courts *have* ruled that some clauses in publishing
contracts were abusive. (Fundamentally, this is because
these contracts are unbalanced : on the one hand you have a
self-employed author, cartoonist, photographer etc. who has to pay the
bills at the end of the month, on the other hand a big corporation.) Our
beloved "free licenses" are largely untested in court, and I suspect
that how they interact with existing legislation could fill entire
doctoral theses in law...

Another important issue is that this whole debate is not
France-centered. "Copyright" as practiced in the US is largely an
American conception (though British law may be somewhat similar to some
extent, even though apparently the British recognize scanning images as
creating rights?). The Berne convention, which many countries
(including, somewhat recently, the US) have signed is based on 19th
century French ideas of the rights of authors (I reckon Victor Hugo
pushed for it. Yes, the guy who originally wrote the Hunchback of
Notre-Dame. :-) )

[. When I say CPI, I mean the French intellectual property code,
available on http://www.legifrance.gouv.fr . This is a very entertaining
reading. Plus, after a while, one is capable of peppering one's
conversation with "see CPI L122-5 third paragraph", a sure win in
academic cocktail parties.]
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Re: promotion of free licenses [ In reply to ]
On 11/22/06, David Monniaux <David.Monniaux@free.fr> wrote:
> As a member of the board of Wikimedia France, I had a meeting with the
> head and the legal counsel of some society of authors, whose name I
> shall leave unstated (the problems are not specific to them).
>
> Their legal counsel told me that their stance is that all legal
> conditions stating that the author cedes all rights for an unbounded
> duration are abusive and that they were ready to fight that in court if
> necessary.
>

Of course. Free content is however you look at it a threat to at least
some of their members. If they can find a way to mess it up then they
have a duty to their memebers to use it.


>For almost everybody on this list (I'm leaving out Brad and Danny, sorry
>folks), Wikipedia is a hobby project that we contribute to in our free
>time. This is not the case of these people. Their works are their
>livelihood. They're in a bad position, they feel shafted by the economic
>powers, so they naturally have a tendency to be wary of evolutions that
>may make their situation worse. That's human. When I discussed "free of
>rights" stuff with them, I felt like somebody trying to promote Sauron
>of Mordor to hobbits. Not a comfortable position, believe me.

Then perhaps you are talking to the wrong people. Existing content
creators are amoung the group least likely to want to work with us.
Fortunetly for the most part there are other groups we can work with.

> Another important issue is that this whole debate is not
> France-centered. "Copyright" as practiced in the US is largely an
> American conception (though British law may be somewhat similar to some
> extent,)

Other than where required through the Berne Convention not so much

>even though apparently the British recognize scanning images as
>creating rights?

There has not been a relivant case in over a century so it is a bit of
a grey area but one I tend to feel best kept away from.

> The Berne convention, which many countries
> (including, somewhat recently, the US) have signed is based on 19th
> century French ideas of the rights of authors (I reckon Victor Hugo
> pushed for it. Yes, the guy who originally wrote the Hunchback of
> Notre-Dame. :-) )
>

Quite a number of major european writers pushed for it.
--
geni
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Re: promotion of free licenses [ In reply to ]
On 22/11/06, David Monniaux <David.Monniaux@free.fr> wrote:

> Another important issue is that this whole debate is not
> France-centered. "Copyright" as practiced in the US is largely an
> American conception (though British law may be somewhat similar to some
> extent, even though apparently the British recognize scanning images as
> creating rights?).

Idle sidenote time...

Sort of maybe it's not determined ask again get a different answer.

Routine photocopying is almost certainly not. Most photography almost
always is. Where you draw the line between them is ill-understood, but
some scans are - to my eyes - almost guaranteed to be copyrightable
under this concept.

--
- Andrew Gray
andrew.gray@dunelm.org.uk
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Re: promotion of free licenses [ In reply to ]
David Monniaux wrote:

> As a member of the board of Wikimedia France, I had a meeting with the
> head and the legal counsel of some society of authors, [...]
>
> Their legal counsel told me that their stance is that all legal
> conditions stating that the author cedes all rights for an unbounded
> duration are abusive and that they were ready to fight that in court if
> necessary.
> [...]
> An important point is that for the last 150 years, French
> copyright law has been (at least in theory, practice is
> different, see below) centered around the idea of an *author*
> making a *work of the mind* which is his *property*. The author
> then authorizes *each use* of the work.

There are many kinds of authors. In Sweden, each kind of authors
(novelist, poets, composers, schoolbook writers, ...) has a
separate organization, and none can speak for authors/creators of
all kinds. And then many people occasionally write without being
part of any organization. Letters to the editor are published
without any remuneration. Is that different in France?

If a (freelance) contributor of articles for an encyclopedia would
not sell "full rights" for unbounded duration, the encyclopedia
publisher would be in an absurd situation. In most cases --
correct me if I'm wrong -- the following editions of the same
encyclopedia will reuse and modify the text without asking new
permission from the old author. So is there any organization
where French contributors to traditional encyclopedias (typically
university professors) discuss the terms and conditions under
which they license their articles to the publisher?

> Another important issue is that this whole debate is not
> France-centered. "Copyright" as practiced in the US is largely an
> American conception

Even though this argument is often heard, the same kinds of works
(novels, songs, newspapers, encyclopedias) exist in all countries,
always written by people and published by publishers. So the
situation doesn't seem to be very different in reality. It seems
that Creative Commons has been fully adopted to the French legal
framework, http://creativecommons.org/worldwide/fr/


--
Lars Aronsson (lars@aronsson.se)
Aronsson Datateknik - http://aronsson.se
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